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・ Zapoqui
・ Zapora, Pomeranian Voivodeship
・ Zaporizhia
・ Zaporizhia (disambiguation)
・ Zaporizhia (region)
・ Zaporizhia Governorate
・ Zaporizhia International Airport
・ Zaporizhia Municipality
・ Zaporizhia Nuclear Power Plant
・ Zaporizhia Oblast
・ Zaporizhia Raion
・ Zaporizhia Region Universal Scientific Library named after A.M. Gorky
・ Zaporizhia Regional Committee of the Communist Party of the Soviet Union
・ Zaporizhia State Engineering Academy
・ Zaporizhia State Medical University
Zaporizhian March (music)
・ Zaporizhian Sich
・ Zaporizhstal
・ Zaporizhzhia Medical Academy of Post-Graduate Education Ministry of Health of Ukraine
・ Zaporizhzhia Pylon Triple
・ Zaporizhzhia thermal power station
・ Zaporizhzhya National Technical University
・ Zaporizhzhya National University
・ Zaporozhets
・ Zaporozhets za Dunayem
・ Zaporozhets, Zaporizhia Raion
・ Zaporozhian Cossacks
・ Zaporozhskoye
・ Zaporozhsky
・ Zaporozhtransformator


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Zaporizhian March (music) : ウィキペディア英語版
Zaporizhian March (music)

Zaporizhian March ((ウクライナ語:Запорозький марш, Запорізький марш)) is an expressive Ukrainian folk musical art that was preserved and revived by a bandurist Yevhen Adamtsevych. The march became more famous after its transformation by Viktor Hutsal who merged the march with the folk song about Doroshenko and Sahaidachny ("Hey, on the hilltop those reapers reap").
==Authenticity==
It is widely accepted that the author of the famous "Zaporizhia march" alone is the Romny kobzar Yevhen Adamtsevych, a student of Musiy Oleksiyenko. In particular, it is confirmed and through correspondence of the known researcher of kobzar performance O.Pravdyuk with the bandurist. In one letter to him Yevhen Oleksandrovych wrote:
In addition the Yevhen Adamtsevych first performed it in public - to the general public march became known in 1969 thanks to the performance of the blind bandurist. Subsequently, the march for orchestra was arranged by the chief conductor of the State Orchestra of National Instruments, Viktor Hutsal. The main theme of the composition consists of syncopation and descending melodies which in the technique national bandurists played with fingers sliding on the strings that was first used by a bandura player Hnat Khotkevych in instrumental accompaniment for his composition of folk song about Baida ("Poem of Baida", 1912), which he orchestrated in 1930.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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